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ENG028: Introduction to
Literary Theory, Criticism, and Research, Part I |
I. Introduction:
- September 10:
Frameworks for literary theory and criticism
II. The Awakening
- September 15-17: Personal responses
- Required reading: Chopin (19-137)
III. Modes of Contemporary Criticism
A. Narratology: Required reading
B. Feminist Criticism: Required reading
September 29: Chopin (3-18); 158-65; Abrams, "Feminist Criticism"
(233-39); Characteristics of a Feminist
Approach
October 1: Elaine Showalter, "Tradition and the Female Talent: The
Awakening as a Solitary Book," in Chopin (169-88)
| Informal Written Assignment, due
on October 1 |
The assignment may be typed or handwritten; in either
case, please leave substantial margins for comments. The assignment may also be
submitted by e-mail (bmcmanus@cnr.edu), but it must be sent before class
on October 1 in order for it to count as "on time." If you quote or
refer to specific points in the article, include page numbers, but you need not
use footnotes or bibliographical references.
Thesis: Briefly (1-3
sentences) state in your own words Showalter's main point in this article.
Main Arguments: Briefly list the main
arguments Showalter advances in support of her thesis (it is not necessary for
you to explain, interpret, or critique these arguments).
Personal Response: Describe your response
to reading this article. Did you find Showalter's presentation clear and
convincing? Note arguments that you found especially persuasive, points that
seemed incomplete, poorly supported, or unconvincing, and any questions that
remain in your mind after reading the article.
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C. New Historicism Required reading
- October 6: xeroxed notes; Chopin (190-99); also read the glossary under
"discourse" (331) and "intertextuality" (334); Abrams,
"New Historicism" (248-55); Notes
- Also, be prepared to identify a work of prose fiction (novel, novella, or
short story) that you wish to use for your first major paper. Choose a work
that you already like and know well; it is also important that contemporary
criticism of this work be available and accessible to you through our library.
- October 8: Margit Stange, "Personal Property: Exchange Value and the
Female Self in The Awakening," in Chopin (201-217)
| Informal Written Assignment, due on
October 8 |
The assignment may be typed or handwritten; in either
case, please leave substantial margins for comments. The assignment may also be
submitted by e-mail (bmcmanus@cnr.edu), but it must be sent before class
on October 8 in order for it to count as "on time." If you quote or
refer to specific points in the article, include page numbers, but you need not
use footnotes or bibliographical references.
Explain how Margit Stange's essay exemplifies the main theoretical
principles of New Historicism (as presented on the handout and discussed in
class). Explain how she uses the technique of "thick description,"
and point out one good example of this technique in the article. What
"discourse" does she focus on in the essay? Do you agree with Stange
that The Awakening participates in this discourse? Why or why not? Does
understanding this discourse help us to understand the novel better? Finally,
describe your response to reading this article.
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Introduction to Library Research on
Literature:
The library instruction class will be scheduled for the class period on
Tuesday, October 13. We will meet in the library instruction room (Library 105,
in the ground floor corridor that connects the Dining Hall to the Library)
promptly at 11:00 am.
| Library Research Assignment, due on
October 20 |
Make a working bibliography of contemporary literary criticism
of your chosen novel or novella. Begin with current articles and work
backwards; do not go back more than fifteen years (criticism written between
1983-1998). List the works you find using the proper format for bibliographic
citations (the MLA form for "Works Cited" as described in MLA
Handbook). Place an asterisk next to each work that is available in Gill
library. Also include a description of the research process you used. What
sources did you consult (e.g. online catalogue, Wilsondisc, bibliographies,
WWW, etc.)? What did you find most helpful? least helpful? Describe any
problems you encountered in your search.
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D. Psychoanalytic Criticism: Required
reading
- October 15: Chopin (218-229); Abrams, "Psychological and
Psychoanalytic Criticism" (263-268); Notes
- October 20: Cynthia Griffin Wolfe, "Thanatos and Eros: Kate Chopin's
The Awakening," in Chopin (233-58)
E. Reader-Response Criticism: Required
reading
- October 22: Chopin (297-304); Abrams, "Reader-Response Criticism"
and "Reception Theory" (268-73); Notes
- October 27: Pat Shaw, Putting Audience in Its Place: Psychosexuality
and Perspective Shifts in The Awakening, in Donald Keesey,
Contexts for Criticism (2nd ed., Mountain View, CA: Mayfield, 1994),
179-85
| Informal Written Assignment, due on
October 27 |
The assignment may be typed or handwritten; in either
case, please leave substantial margins for comments. The assignment may also be
submitted by e-mail (bmcmanus@cnr.edu), but it must be sent before class
on October 27 in order for it to count as "on time." If you quote or
refer to specific points in the article, include page numbers, but you need not
use footnotes or bibliographical references.
Discuss Pat Shaw's essay as an example of Reader-Response criticism as
presented on the handout and discussed in class. Does the essay employ both
theoretical assumptions of this critical approach? Use examples from the piece
to explain why or why not. Does Shaw emphasize how readers interpret the text
or how the text governs the readers? Give an example to support your
conclusion. What additional critical approach does Shaw employ? Explain how the
article exemplifies this approach. Finally, describe your response to reading
this article.
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F. Poststructuralist Modes of
Criticism: Required reading
- October 29: Abrams, "Linguistics in Literary Criticism"
(103-107), "Structuralist Criticism" (280-84), and
"Semiotics" (275-77); Notes
- November 3: Chopin (259-68); Abrams, "Poststructualism" (258-63)
and "Deconstruction" (225-30); Notes
- November 5: Patricia S. Yaeger, "'A Language Which Nobody Understood':
Emancipatory Strategies in The Awakening," in Chopin (270-96)
Written Assignment:
due November 3 (2 articles) and November 5 (1 article) |
Choose three of the critical analyses of your chosen novel
that you located during your library research (articles or book chapters);
select pieces that you feel will represent different critical approaches to
your novel (particularly the contemporary approaches that we have been
studying). After reading them carefully, write out the following information
for each article:
- complete bibliographical information, in correct MLA format
- a brief statement, in your own words, of the thesis and main arguments of
the article
- an analysis of which critical approach (or combination of approaches) you
feel this article represents, using evidence from the article to show how it
manifests the characteristics of that approach discussed in class
- a description of your personal response to this article, explaining whether
you thought the article presented a convincing analysis of the novel, including
the reasons for your response
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Writing a Literary Critical Paper
- Sunday, November 8: e-mail me a one- or two-sentence statement of your
proposed thesis for your paper (try to be as precise and concrete as you can,
though you may, of course, change your thesis as you work on the paper)
- November 10-12: Bring to class the MLA Handbook; also bring your
novel and research notes. Be prepared to discuss the proposed thesis for your
paper.
- Sunday, November 15: e-mail me, by noon, the first draft of your
paper. If you are using a PC, you can send the draft as a Word or WordPerfect
attachment, or you can copy the draft from your wordprocessor and paste it into
an e-mail message. If you are using a MAC, you must copy the draft from
your wordprocessor and paste it into an e-mail message because my computer
cannot read documents using the MAC compression system; all I will receive is
gibberish.
- November 16-18: The next few days will be devoted to individual conferences
on paper drafts. In class on November 17 we will begin our study of poetry (you
will receive a further schedule of assignments at that time). The completed
paper will be due on November 24.
| FIRST FORMAL PAPER: final version
due November 24 |
Choose a work of prose fiction (novel, novella, or short
story) that you wish to use for your first major paper. You may wish to select
a work that you already like and know well, but it is important that
contemporary criticism of this work be available and accessible to you through
our library. Propose a working thesis which will guide your analysis of one
crucial aspect of your novel. You may revise your thesis as you work out your
interpretation, but make sure that you have a clearly expressed and
well-supported thesis in the paper. Write your interpretation of this aspect of
the novel, using detailed evidence from the text to support your analysis and
integrating the insights from the critical articles you have read, using proper
MLA in-text citations and "Works Cited" format. You are not required
to employ any of the contemporary critical approaches we have been studying,
but you should make use of any of the tools for analyzing
prose fiction that are appropriate for your novel and thesis. All drafts
and the final version of the paper must be wordprocessed.
Preliminary due dates:
- October 20: working bibliography
- November 3: written summary of two articles
- November 5: written summary of one additional article
- November 8: e-mailed thesis statement
- noon Sunday, November 15: e-mailed first draft of paper
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Continue with Readings and Assignments:
Poetry
Barbara F. McManus
ENG028 Syllabus
October 1998