Seduction by negative transformative figures weakens or destroys the conscious control of the ego/hero. Unlike negative elementary figures, the negative transformative takes control from within, enslaving his will and rational faculties rather than attacking him. Here we find the femme fatale, the “vamp,” under whose spell the hero loses his honor, character, independence, and resolve. For example, in the Greek myth depicted below the handsome youth Hylas is drawn into a pool by lustful water nymphs and drowned (drowning is a common symbol for the loss of consciousness and rationality).

painting of Hylas and the Nymphs by F. Furini; Florence Pitti Palace

“The Fisherboy and the Nix,” by Julius Hübner, c. 1828; Berlin, Alte Nationalgalerie

Here we also find enchantresses who use magical powers to negatively transform the ego/hero. The Greek mythical figure Circe, for example, lured men to her house by her lovely singing; the drink she gave them, however, changed them into swine, effectively taking away their higher human faculties.

black-figure vase depicting Circe and swine-men, 5th century BCE; Athens National Museum

“Tilla Durieux depicting Circe,” by Franz van Stuck, c. 1913; Berlin, Alte Nationalgalerie

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